ALL THE BIRDS WE HEAR IN THE TREES BUT NEVER SEE (2024) with ej kneifel and elizabeth mudenyo: a site-symbiotic rehearsed poetry performance at Xpace Cultural Centre. photography by Philip Ocampo. for more info (or photos), see ej’s website.
tamaas translation seminar: 2024 cohort in south asian languages
artist-in-residence for The Seventh Wave: 2023-2024
poetry editor for The Ex-Puritan: Fall 2025 onwards
guest editor for The Ex-Puritan: Animalia (2025)
columnist for Herizons Magazine: 2023-2024
previous reader for Arc Poetry Magazine
guest editor for Canthius Issue 10
The Ex-Puritan, “Marginalia: Cento as Editor’s Note,” October 2025.
The Seventh Wave, “A Poem is Not,” “Kashmiri is a Dying Language” and “My Boyfriend Tells Me About the Ginkgo Tree” (Community Anthology: On Endings, edited by Xu Li), February 2025.
like a field, “Armaggedon” (Issue 2), July 2024.
Ampersand Review, “Forecast” and “Winterization” (Issue 5).
West End Phoenix, “Toronto Summer” (Fall 2023).
CV2, “Drafting” (Fall 2023).
Hazlitt, “The Women in my Dreams Don’t Kiss”, August 2023.
Palette Poetry, “Untitled Duck Poem” written with Manahil Bandukwala, August 2022.
Midnight Sun Magazine: “Summer, Fall”, May 5 2022.
EX/POST: “Lately I Am Trying” in Issue IV, January 2022.
Room: “Meditation” and “Reaching for my grief, the sun” in Issue 44.4.
Islam in the City: “Children cackle like a band of hyenas” in Volume III: Crossroads.
Poetry Daily: “Memory is sleeping”, August 2021.
Flypaper Lit: “Dorsal” and “Verisimilitude”, June 2021.
The Puritan: “Memory is sleeping” in Issue 53, Spring 2021.
Savant-Garde: “Good morning, the sun in October” in Issue 5, April 2021. Nominated for Best of the Net 2021.
Poem-a-Day: “Tomorrow is a Place” selected by guest editor Fatimah Asghar, January 2021.
In the Mood: “Ashitaka and the Forest Spirit”, “San and Moro” and “Yakul and Ashitaka” (click Happy then Powerful), December 2020.
Arc Poetry Magazine: “Masha’Allah” in Arc 93, Fall 2020.
Best Canadian Poetry 2020: “As I pray”, September 2020, selected by guest editor Marilyn Dumont.
Asian American Writer’s Workshop’s The Margins: “Emergence: two poems”, January 2020.
Institute of Islamic Studies: “Doxologia” (art installation), December 2019.
HOBART pulp: “Here is longing”, December 2019.
Half A Grapefruit: “Poems, oh my!”, October 2019.
canthius: “As I pray” and “Self-Portrait” in Issue 07, Fall 2019.
BAD DOG REVIEW: “Love is what I have decided” in Issue 1.2, July 2019.
Hart House Review: “Lalit means one who is beautiful” in the 2019 Winter Supplemental.
Glass: “Moon gods are not born”, March 2019. Nominated for 2019 Pushcart Prize.
Peach Mag: “Of wolves, flowering” and “A rose is a mouth with no teeth”, February 2019.
Nuance: “Schizotheism: on loving Allah”, January 2019.
LooseLeaf Magazine: “I remember an incident where my mother begs me” in Volume 6: Labour, December 2018.
GONE LAWN: “Thunder gods” and “Sky gods” in GONE LAWN 30, Fall 2018.
Paperbark: “cyclic prayers for lopsided women” in Issue 01: Emergence, Fall 2018.
Cosmonauts Avenue: “for the little god” and “the earth is soft”, August 2018.
The Puritan: “I am off to meet the Himalayas” in Issue 42, Summer 2018.
Glass, Poets Resist: “Asifa”, July 2018, guest edited by Krista Cox.
Sanna Wani 